The vision of the writer | THE SPECTATOR

In the words of rigor, the word vision evoca ciertas vagas epiphanías de humo que correspondnden maś los encuentros metafísicos de Blake oa las revelaciones de Juan en Patmos que a cualquier tentativa literaria de este tempo. But you can find one of the most dominant dominions, the vision is a concept of life that determines the form and the background of the gallery of inventions of a writer.

The vision (elimination of a conceptual concept) is the motive or the combination of motives that combines a combination of words to describe the world (the number: a good part is a work of art with fine embellishments). Borges accuse the labyrinths, the libraries, the false falsities, the portfolios (Emma Zunz), the culinary gaucho; Sor Juana, the conflict between the ingenuity and the endeavor; Kafka, the bureaucratic enigma, the sinfín, the family; Cortázar, a las transformations physics (Axolotl(and the loss of space)House tomada); Coetzee, the Empire (Waiting for the barbarians), the warLife and epoch of Michael K), the literatureFoe y The maestro of Petersburg); Austen, a las relations of love and money (Mansfield Park); Vallejo, the church and the recreation.

The definition can be fabulous and very interesting (for these definitions: to see what is invisible in the arrabales). Added this: the view of a screenwriter is a filter filter, in sensational situations (something you know, you know, you know), in intellectual stories, with the fact that it is a university of obscure passions and campaigns of pride , for all aesthetic effect, dreamy and unrecognizable. It is a form of understanding that, before the persuasion of the rational argument of the system of concepts, aspiration to beauty (which is — I am presumed, which is not the great aspiration). When Rulfo writes in Pedro Páramo que “los gritos de los ninos revoloteaban y parecían teñirse de azul en el cielo del atardecer”, los gritos parecen teñirse de azul porque así lo percibe la réfórica de Rulfo: porque se hunden en los arenales del cielo. Permission to deform the world at will.

The vision of a writer, for the sake of rigor, but is a habitability of the innate or self-taught: it is a muscle that is educated (not in a university: it is not). Learning to read and write: García Márquez opened the lecture on Mrs Dalloway, los cronistas de Indias, Hawthorne, los viajes de sol de arena por el interior de la costa; Rulfo, in his unmistakable voyages through the Mexico of rock without pellejo and infinite valles pelados, with his camera (who contemplates the photos of Rulfo entenderá ambages the idea of ​​the vision as a photographic filter). That Tranströmer, en Tormenta (part de Archipelago archipelago), vea una cornamenta de alce en los ramajes de un roble u oiga “a las constelaciones piafar en sus establos” es el resultado de incontables dias y noches de repaso îptico sobre las formas de las cosas y sus evocaciones: el roble es un alce y estrellas son caballos, y como el roble contiene al alce y las estrellas a los caballos, el universo es uno (ésa es la habilidad de la metáfora: suprimir los limité entre las aparentes oposiciones).

Con el paso de los libros (o sea, del tiempo) la visión sí puede adquirir un cierto halo revelatorio: ocurre con Beckett y sus últimas obras cortasCompanyfor example), ocurre with Kawabata y The beautiful and the sadvisit with Kafka y The artist of the room. In the last poems of Szymborska it is natural that the poet should notary of the election of semidiosa. The doors of perception (to record the new Blake) are connected with the games and associations of this vision, which allana lives. This vision is the patrimony of a writer, at the heart of gold: to be found in form (allegorical or metaphorical sea) and in the background (because of the artifice, the principle, revolving the essence of the cosmos). An excuse to enter his or her own sol sol sol for para alimentar esa visión: para que nuevas costas del mundo aparezcan por el el costado de la costura. Los esfuerzos más formidables alcanzan, como el Hubble en su observación de la estrella de Earendel y su difusa luz primitiva de bohío remoto, a atisbar las puntadas, que ya es mucho.

My correlation: juandtorresd@gmail.com

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