Presentó Fernando Aceves Humana su Carpeta Ecuestre

OAXACA, Oax. (sucedióenoaxaca.com / vía COMMUNICADO) .- These are the presentations at the Institute of Graphic Arts of Oaxaca (IAGO) Carpet Ecuestrecomputed by four lithographs of the artist Fernando Aceves Humana, and the text of the writer Pablo Soler Frost, designed by the editorial Gatopardo e impresa en su totality by Daniel Barraza and his team of impresores del Taller La Buena Impresión en Oaxaca.

The presentation was presented by Alejandro Legorreta, Daniel Barraza, Pablo Soler Frost and Fernando Aceves Humana, moderated by the writer Karina Sosa.

The connection and friendship of Fernando Aceves with the caballos, the date of his infantry in the family of his family, untouched for decades after his fall.

The images that we have in this carpet are the result of an estate in Rancho Santa Rosa, where we also realized a series of dibujos and oleos living with hawks and registering the whole openness of their conduct without human presence.

The lithographs, oils and dibujos preparations prepared for the life of the ranch and the admiration of the painter for the mental and physical connection between the jinn and the cabaret during the somersaults. An experiential experience in a land that has given birth to a few generations of equines.

In the text of Pablo Soler Frost we find literary references that complete the emotion of the lithographs:

“It simply came to our notice then. It is believed that he is given to occupy your extensions of reality, your ex-tension of imagination. Son pocos los seres humanos que aún se dedican a ellos, que los conocen, que los tienen como compañeros del día a día. Son pocos los simbolos en los que perviven, rarísimas ya las expressions en nuestra lengua que a ellos se refereren: hoy en día una persona puede pasar toda su vida sin oír ni ver ni montar o conducir o abrevar un caballo, cuando antes estaban partes y eran (menos los lugares en donde no los había, fuera Venecia -Lord Byron tuvo que dejar sus corceles en el Lido- o el Ártico) pracciamente omnipresentes. De Darío el Persa, a quien coronó un relincho a su primera aparición, sobrenatural casi; in the Americas, where some of the craneos terminated in the tombs of the Mayor’s Temple; from the indignation of Nietzsche in front of a man who was drunk on his birthday or announced the announcement of the winners of the Derby of Longchamp, the cavallos of our company all the time, from the beginning of the night. There are some destinations ”.

And about the lithographs of the refrain: “La tintura también sigue allí. Como los caballos, es cierto que ha daado de regir el inmenso espacio que le era propio, para ir cambiando, menguando, empequeñeciéndose o irse guardando, aceptando a veces matrimonios de conveniencia con otras artes que han adquirido preeminencia. Tambéén hoy en día la gente habituada al consumo de las imágenes puede vivir sin ver jamás una pintura ni detenerse morosamente en ella ni relacionarla ni colegir su importancia ni traerla al caso (() Lo ecuestre precisa de amplias llanuras: es un arte de vastos . The lienzos and los dibujos of Fernando Aceves Humana spent this time. Son el espacio necesario para el cabrioleo del potrillo o las figuras de alta escuela, el lugar idóneo para un animal que pide y que brinda tiempo, como la pintura misma. I paint with my eyes, I want to transcend my grandfathers about the paper, I have to follow what I know: in this case, which is mounted with the heart of the heart ”.

The writer is open to us Carpet Ecuestre –To the equation and the painting– there are arts that can be seen from the other planet, through the past. “But the future is also a component of the past. He said that he lived and lived in the city and in the interests of many that he was able to support the fact that he was very full of material and alambicada and the meaning of water that we would like to celebrate with this name. It’s time to live all the time. For the sake of it, there is a space where there are also cabs and jackets ”.

El Rancho Santa Rosa is the promoter of this project, together with the editorial Gatopardo for the edition and the design of the texts.




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